POMO * AMILL * POP
Without utopia, without apocalypse, what kind of action can we take?
Consider: The similarities between 1. anti-metaness of postmodernism, 2. the localalization of amillennialism, and 3. the without-a-history presentness of pop art.
How can we act - politically, eschatologically, artistically, - without a meta-story?
How does one move without sweeping ideas of moving from and to?
a. How does one act politically with the meta-justification, overarching story?
b. How does one have an optimistic eschatology without the promise of a promised land?
c. How does one play pop music that is "music" without being didactic?
Let us attempt a decentering and a present-ing.