HAP Grieshaber and the artist's problem of history
The artist, a funny-looking man who described himself as someone who just wanted to live on a mountain alone with his animals, was an answer to an often-posed theoretical question. The German philosopher Martin Heidegger once famously asked, “What are poets for in a destitute time?” Theodor Adorno, who left Germany to escape the Nazis, gave a name to the “destitute time.” He called it “after Auschwtiz,” arguing that poetry or any art in an era dominated by ideological murder of millions “is barbaric.” As an Orthodox Rabbi posed the problem, what can we possibly say that is credible in the presence of burning children? Grieshaber’s woodcuts show an answer. His works speak of the way humans relate to nature and to each other. His works speak about recognizing violence, rejecting violence, and hoping and working for an otherworldly peace, the intervention of an angel, a dove, a spirit of love.
Read the rest of the essay, Woodcuts in a Time of Destitution, @ The Currator