Hemingway's pencils & the problem with the Paris Review's quintessential question
William Styron didn’t write in notebooks. He tried notebooks, but they didn’t work for him. They do work for Paul Auster, though, so he writes in notebooks. He likes the ones with gridded lines, which he calls “quadrille lines — the little squares.” When Auster’s done with the notebooks he types everything up. He has a typewriter he bought in 1974.
What is that supposed to tell us? What does this reveal about Styron? What do we know or understand about Auster that we didn’t before?
Joseph Heller wrote stuff down on 3×5 cards he kept in his wallet, which he called a “billfold” in ’74. Gore Vidal writes fiction on yellow legal pads, but essays and plays on a typewriter. John Updike had a typewriter too and Jack Kerouac had two. Gay Talese wrote outlines in different colors of ink on the shirt boards he got when his clothes come back from the dry cleaners.
What if none of this information actually acts to reveal anything?
Read the complete essay, The Paris Review's implement fetish, @ TheThe.